Commentary

The Power of Theatre

Last night I had a theatre experience I won’t soon forget. The Kavinoky Theatre’s production of 1984 is a disturbing and imaginatively staged vision of a future in which truth is relative and ever changing, depending on the needs of the “elite” which is control of, well, reality itself. Big Brother is always watching but a man called Winston dares to dream that perhaps he has escaped observation in small stolen moments with Julia, the woman he has the audacity to love. The audience is pulled in to believing that maybe, just maybe this couple will find freedom: Freedom to think, freedom to feel, freedom from observation, freedom to have real chocolate..

Aleks Malejs gives depth to what could have been a one dimensional character–Julia– a woman who may (or may not) be just who she says she is. Chris Avery’s portrayal of Winston is something I can’t even describe–but I’ll try. Gut wrenching comes close, but other than that words fail me.

There is one heart stopping moment in that play that occurs between Winston and the audience, and it is shocking, disturbing, paralyzing and is reason alone to see the show. It’s a moment that will stay with me for a very long time.

At the opposite end of the seriousness spectrum, Inclusive Theatre of WNY’s A Festival of Shorts opens on Friday April 5th at 7:30 pm and runs until Sunday April 7th at 2pm at The Foundry, 298 Northampton Street, Buffalo. Tickets are available through paypal here.

So. Here’s my recommendation for a perfect weekend: Catch one of the final performances of 1984 at The Kavinoky Theatre at D’Youville on Porter Rd in Buffalo, and then head over to The Foundry for a little comic relief!

Here are pictures from today’s rehearsal of A Festival of Shorts.

Festival of Shorts

Behind the Scenes

Another hilarious night of Shorts-this cast is having a great time!

A Festival of Shorts Friday April 5th 7:30 pm at The Foundry–298 Northampton Street, Buffalo. Saturday April 6th 7:30pm at The Foundry 298 Northampton St. Sunday April 7th 2pm at The FoundryT

For tickets please email inclusivetheaterofwny@gmail.com

Festival of Shorts

Weekend Rehearsal

Our cast got together this past weekend over lunch to discuss their characters, go over lines, cues, and scenes. We ‘ve been encouraging improvisation in the earlier rehearsals because we saw how creative and, well–FUN–this cast is.

We will be opening A Festival of Shorts on Friday April 5th at The Foundry on Northampton Street in Buffalo, at 7:30 pm. Saturday we will be at Hallwalls (at Babeville) on Delaware Avenue at 7:30 pm. Each of these venues is unique and we look forward to performing in each. We will be posting our venue for Sunday April 7th (2pm) shortly. Watch this space!

For ticket information, email us at inclusivetheaterofwny@gmail.com

Here are photos from this past weekend:

Our fabulous cast discusses a scene over pizza.
Fundraiser

Help Inclusive Theater Grow!

 

A young man with Autism, a recently graduated journalism major, a 30 something year old musician and a young man with Cerebral Palsey walked into an Improv class–and surprised themselves and everyone else–with their previously undiscovered talent for improvisational comedy. A writing group started up in the winter of 2015 with five members–two “neuro-typical women, two people with Autism and one woman with Cerebral Palsey. Two years later the group is going strong: wome weeks more than 10 people are present, and this year, 2017, three regular members’ works will be published. two of these members are people with disabilities

Inclusive Theater of Western New York was begun by people whose children have experienced bullying, harrassment, and social isolation by their typical peers. The cumulative results of these experiences have led in many cases to low self esteem, PTSD, anxiety, and continued social isolation into adulthood.

Inclusive Theater of Western New York addresses the need for inclusion of men and women with disabilities who have lacked opportunities throughout their school careers. We accomplish this by providing acting classes and a writing group in an emotionally safe environment that is condusive to experimentation, free of judgement, harrassement and bullying, and one that reflects the population as a whole. As such, all our classes have a mix of people with different ethnic, religious and socio-economic and disability making up the whole.

For the people who have been attending our programs and classes, new worlds have opened up. One woman who has a developmental disability commented after a Saturday workshop in which the group made sets, wrote and acted in a play: “I never thought I could do anything like this!” Another participant, a professional actor who attended one of our acting classes commented, “I never knew what people who depend on wheelchairs went through”.

In big and small ways, Inclusive Theater of WNY is changing minds and perceptions, of people with disabilities, and people from different educational, social and economic backgrounds. Studies have shown that “inclusion” beneftis everyone.* We are seeing this firsthand in increased awareness, esteem and understanding on the part of all the people we serve.

Please consider making a contribution so we can continue to make a difference in the lives of the people of Buffalo—and beyond!

For information on how to make a donation please call Aimée Levesque, Executive Director, 716-218-8129

 

 

*Chandler-Olcott, K. and Kluth, P. (2009), Why Everyone Benefits From Including Students With Autism in Literacy Classrooms. The Reading Teacher, 62: 548–557. doi: 10.1598/RT.62.7.1
Publication History
Issue online: 9 NOV 2011
Version of Record online: 9 NOV 2011
http://www.tandfonline.com/doi/abs/10.1080/09620214.2011.543851

The Promise of Inclusive Schooling
http://www.spannj.org/pti/Improving_Education_Promise_of_Inclusive_Schooling.pdf
Moore, C. J. (1997). Educating students with disabilities in general education classrooms: A summary of the research. Juneau: Alaska Department of Education.
GRAPHIC DESIGN BY:
Zemelman, F., Danielson, H., and Hyde, A. (1993). Best practice: New standards for teaching and learning in America’s schools. Portsmouth, NH: Heinemann.